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Interview with E. Catherine Tobler

Read The Glass Falcon, which continues the adventures of Folley and Mallory, out now!

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E. Catherine Tobler, author of Rings of Anubis, and all around extraordinaire.  Her work has appeared in LampLight, a story called “By The Book” which was a literary sci-fi detective story. She helps edit over at Shimmer, and current has a story at LightSpeed.

Her new book, Rings of Anubis came out in July, so we talked with her about it, writing and what is coming up.

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APOK: Rings of Anubis has just been released, tell us about it

ECT: First and foremost everyone should know it’s the best book ev–

Er, Rings of Anubis is my first novel, and I’m equal parts excited and nervous over it. It’s very strange to have people buying your book and reading the words you’ve worked on for so long. You wonder how they will react and then realize you have to let go of that, because that’s out of your control.

Rings of Anubis is a mashup of science fiction, fantasy, steampunk, and historical fiction, taking our heroine from turn of the century Paris to Cairo where she will undercover secrets–though they aren’t the secrets she thinks they are. Along the way, she encounters werewolves, ancient Egyptian gods, and a side of herself she never knew. As you do.


APOK: Writing historical fantasy, I assume, presents its own sets of troubles, with both history and your world building creating their own rules. Did you have troubles with that? Did you find yourself having to bend one rule set to make it fit with the other?

ECT: There is certainly an aspect of the book that is alternate history. When the story began to take on a fuller shape, I knew there was no way it would be Exactly What Happened In History. It was also important to me to respect the actual history of Egypt, mindful of the customs and myths as I worked to build my own alternate version. Wanting to both show and respect the magic of Egypt was a fine line to walk.

I kept having to tweak what I’d already done to make sure everything stayed where I’d put it–kind of like when you’re making a model, or a puzzle, and the pieces don’t totally snap together, so you realize you’ve borked something earlier in the process. Branching off from real historical events was hard to wrap my mind around at times. “It didn’t happen like that,” I would find myself thinking, and being okay with that was a slow process.


APOK: Were you drawn to this time period first? or had you been working on a story and thought “you know, if i set this in Paris… yes yes…(maniacal laughter, mad scientist noises)” ?

ECT: I was not drawn to this time period first. The book started set in the near future; picture Blade Runner but not quite so rainy and bleak. I knew I wanted to talk about the preservation of the past by someone who had a personal stake in that preservation, but when coupled with the technology of the future replacing it, the set up felt entirely too much like Tolkien and his nature vs. technology arguments in LotR. So I took a step backward and started to wonder.

It was while I was looking at images of the Eiffel Tower under construction that it hit me. What could possibly be more metal and steampunk than the Eiffel Tower? I knew at that point it was Paris in addition to Egypt, I just needed to determine Paris of what era. World’s Fairs have always fascinated me and when I read more about the Tower, and why and when it was built, everything fell together naturally from that point. Seeing airships actually photographed around the Eiffel Tower…

Well yes, there was maniacal laughter at that point.


APOK: Tell me a little bit about how you became a writer to begin with

ECT: I started writing fan fiction, chiefly Star Trek, because stories where people are on journeys, seeing strange worlds and new ideas remain intoxicating for me. Fan fiction gave me a safe place to practice, and introduced me to a bunch of friends who also wrote. Then, Pocket Books did its Strange New Worlds anthologies, which is where I made my first pro sale (I was in SNW #4 and #5). But when Trek-writing friends began to write Trek novels, I realized I wanted to write in my OWN worlds, so took that leap and never looked back.


APOK: Do you have a specific writing process? Mood lighting and light music,  or a crazy hectic coffee shop?

ECT: I sit down. I apply my fingers to the keys. I type.

Okay–possibly it’s not that basic (but it also is). I have a brain that doesn’t want to write every day and when I stopped trying to force that, I became a happier and more productive writer, and I also started to sell more.

I’m the kind of writer who fills up on art, music, movies, the creative output of others, and feeds all of that into the “writing” part of my brain, before spewing words onto the page. And after I’ve emptied all those ideas, I have to go back and fill up again.

Some stories get soundtracks; some don’t. Sometimes I write in complete silence. Mostly, the writing happens at my desk, no coffee shops, no libraries, because when I’m out, I watch people–I find myself filling back up, rather than writing.


APOK: What is on the horizon? Releases? Appearances? Dance off-s?

ECT: I am appearing daily at my desk for editing and writing adventures! I may also attend MileHiCon in Denver later this fall. (

“A Box, a Pocket, a Spaceman” appears in the August Lightspeed (and will be free on the site starting August 19).

As for releases, September sees another book from me (in digital release to start), Watermark. This is the story of a fairy who is sent to the human world as a kind of punishment; of course things don’t always go as planned, and the center cannot hold. Chaos ensues!

As to dance offs, we totally have a future date with one of those. Maybe we’ll cosplay as Daft Punk at the 2015 Worldcon?


Check out Rings of Anubis, out now in print and ebook, as well as some more links below.

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LampLight Volume 2 Issue 4


Smashwords Amazon

June 2014 Our featured artist is Holly Newstein. She brings us a story called “Shadows and Light.” We talk to her about her work and collaborations. James A Moore brings us the final installment of his Jonathan Crowley story, The Devoted. J.F. Gonzalez talks to us about horror in the ’30’s and 40’s. Featuring fiction by

Colleen Jurkiewicz
Curtis James McConnell
Victor Cypert
Catherine Grant

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Vignettes from the End of the World



Barnes and Noble
This is how the world ends. This is how the world ends. This is how the world ends. Not in a bang, but in a book. 58 flash fiction stories of the final hours. Passion, pain and horror of the end of days, all in short vignettes.

Get it today in print, Kindle, Nook and iBooks!

Featuring stories from: Christine Morga, Essel Pratt, Cameron Suey, T. Fox Dunham, Guy Anthony De Marco, Mandy DeGeit, Jessica McHugh, Kristopher Kelly, E. Catherine Tobler, Jamie Lackey, George Cotronis, William R.D. Wood, Lee Clark Zumpe, Lincoln Crisler, Eryk Pruitt, Michael H. Antonio, Kallirroe Agelopoulou, Steve Calvert, Rebecca J. Allred, Darcie Little Badger, Erik B. Scott, Terry M. West, Glenn Rolfe, Josh Strnad, J.A. Martin, Darryl Dawson, DJ Tyrer, Joana Eça de Queiroz, Lex T. Lindsay, Arno Hurter, Cameron Shifflet, J.P. Freeman, Marie DesJardin, Dusty Wallace, Doug Murano, Ken MacGregor, Victoria Dalpe, Kelda Crich, Pedro Iniguez, Joey Capora, S.R. Mastrantone, Damir Salkovic, Sylvia Spruck Wrigley, Jason Sharp, Leslianne Wilder, Jennifer Loring, Bryce Hughes, L.C. Mortimer, Rebecca Barbee, E. E. King, David Turnbull, Richard Thomas, Rose Blackthorn, K.Z. Morano, Adrian Ludens, Kenneth W. Cain, Michael Haynes, Michael Penkas

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LampLight Volume 2 Issue 3


March 2014

Our featured artist is Mary SanGiovanni. She brings to us a new story entitled “The Mime”. Life has gotten more interesting for Jonathan Crowely in Part 3 of James A Moore’s serial novella, the Devoted. J.F. Gonzalez talks about Weird tales, both its history and influences in Shadows from the Attic.

We have fiction from

doung jai
Tim W Boiteau
Alethea Eason
Lucy A Snyder


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Dark Bits 2014 Weekly Edition


52 weeks in a year…52 stories in Dark Bits (well, in both cases, 53, but we have a theme to stick with!)

Apokrupha is proud to announce the Dark Bits Weekly Planner edition. Containing all the great stories in Dark Bits, it also has a weekly calendar for meetings, tasks and doodles. It is a coil-bound book, making it perfect for your horror-based organizational needs.

Buy one today on! stay organized for 2014 and get a great story each week.

Weekly Planner

Buy it now!

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We Forgot David


One of our Dark Bits writers was left out of the bio page, David Bernstein. His story, Don’t Blink, is a fantastic addition to Dark Bits and we wanted to make sure that his info got out.  Here is his bio.  David Bernstein – David is the author of the novels, Damaged Souls, Amongst the Dead, Machines of the Dead, and The Tree Man. He can be found at eBooks will be updated with it, as will future paper editions.  Furthermore, since we have so many great writers in Dark Bits, we want to show them all off. Dark Bits page has been updated with ALL bios, so you can check out all 53 writers. Check out the updated Dark Bits page here:

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LampLight Volume 2 Issue 1 is Availible now!

Get LampLight Now!

Volume 2 of LampLight is here! Our featured artist is Norman Prentiss. AND starting with this issue, will be available in both ebook and PRINT.

Part One of “The Devoted” a serial novella by James A Moore, featuring Jonathan Crowley.

J.F. Gonzalez brings us part 2 of From the Stone Age to the Early Victorian Era, in 3000 Words, talking about the Conte Cruel.

Michael Knost brings us a story connected to his upcoming novel, Return of the Mothman. Fiction from Christopher Bleakley, Emma Whitehall, David Tallerman and M.R. Jordan

Get it TODAY from CreateSpace, and Amazon. eBook on Kindle and Smashwords! See for details and links!